Two Poems


Freesia McKee

Decay Becomes This

Scene 1:

In early autumn

a blue heron gets hit

by a plopping black walnut


Scene 2: 

Sandhill cranes

skating the sky

braid uncountable


Scene 3:

On December 23 we walk the lot

to find a discount fir tree

and ask our dad what will happen

to the ones nobody takes home


Scene 4: 

When there’s a foot of snow

we take turns shoveling 

the block’s empty lots 


Scene 5: 

The bedframe you moved twice

to new states

has become a compost frame


Scene 6:

A bow is a stethoscope

on the chest of the horse

whose tail will make a dead tree sing


Scene 7:

My sister calls and says

“Dad is alive.” 

Poetry

29 September, 2023


Grouse Grid

In the early weeks of my dad’s post-stroke delirium, 

we watch a NOVA documentary about grouse.

It’s his first screen time, for an hour we follow

the prairie chickens hunting for worms,

scurrying across grass and scratching to build homes.

Then comes a segment about mating habits,

and I’m brought back to 11 years old, embarrassed

in front of my dad by even the euphemism “mating.”

But he, delirious and perseverating on the fowl,

(and, we’ll find out, severely dehydrated) starts spinning

a matrix of grouse offspring in his mind, a trembling aspen 

family tree, if you will, speculating on how many

of the grouse population would be closely related 

and in what ways. He’s fixated on grouse genealogy,

remembering a slew of grouse facts after the screen goes black

which he recites to Monica when she comes home

from work. We do not yet know how far he will go

in his recovery. His brain is made of tallgrass

roots tangled in a reliant underground.

But the more he talks about grouse, the less I worry.

He says he once knew grouse scientists in Madison

who drove the prairie in a VW van with a wild antenna.

I feel a kinship with these people in his mind.

I, too, am monitoring flight patterns, making sure

the population is okay.


Freesia McKee (she/her) writes about the influence of histories on how we experience place. She practices poetry, creative prose, book reviews, and literary criticism. Her work has appeared in Foglifter, Tinderbox, Yes Poetry, About Place, and The Ploughshares Blog. She served as the Fall 2022 Poet in Residence at Ripon College. Find her at FreesiaMcKee.com.